Access Arts NYC is an interdisciplinary art festival dedicated to making creative and performing arts accessible and affordable to the public.
A collection of black and white photos by Dora Nano sit on a table and hang on the brick wall behind it illuminated by twinkling lights on the table.
Two people (Demetris Charalambous, left, and Alaïa) stand face to face in focus each with clear tap wrapped around their torsos, their hands intertwined. Behind them three people peak out from either side and in between them.
Approaching the conversation through the lens of accessibility within the arts and education, this presentation will flow through a few key intersections, namely guidelines on how to engage differently abled learners and emerging artists, as well as necessary complications that should be present in all conversations touching upon ability,
Approaching the conversation through the lens of accessibility within the arts and education, this presentation will flow through a few key intersections, namely guidelines on how to engage differently abled learners and emerging artists, as well as necessary complications that should be present in all conversations touching upon ability, identity and creativity. Be prepared to think about and re-assess the limitations you may unknowingly possess, as well as to engage deeply with unconventional perspectives around arts + education + accessibility.
Jonathan and Holly will be chronicling their individual and collective journeys navigating New York’s downtown dance company circuit, recounting experiences both participating in as well as auditioning for various ensembles, and the accessibility issues they have experienced, specifically tied to gender, gender expression, and bodily diss
Jonathan and Holly will be chronicling their individual and collective journeys navigating New York’s downtown dance company circuit, recounting experiences both participating in as well as auditioning for various ensembles, and the accessibility issues they have experienced, specifically tied to gender, gender expression, and bodily dissonance.
Having largely left this world, the pair will segue into a brief lecture demonstration on their work as the performance duo BREAKTIME, and how what they do together responds to and rejects the very structures they used to strive for.
They will speak individually once more on their solo pursuits: Holly on facilitating a queer, donation-based, bodywork collective, Bodies for Bodies, and Jonathan on their curatorial practice, Protean Pieces, which pairs disparate choreographers to restage their work in performer-centric, reciprocal exchange.
They will conclude speaking on issues of audience accessibility in the context of admission, outlining various cost-friendly ticketing structures they have employed in their collective performing history.
Q+A will be embedded throughout the talk, and illustrative images and video will be shown when applicable.
Cris de Diego will be presenting on accessibility in museum settings. She will also discuss her journey as a blind person in the visual arts. Her work with the European Union to provide more accessible experiences for the blind and visually impaired will be explored. This talk will also center the power of art, joy, and how to create a more equitable space for artists of all abilities.
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